Ryan. 23. Chicago. | email | last.fm | facebook | twitter
(via womanhouse)

i’ve been thinking a lot about this frank o’hara poem. especially the relevancy of sharp corners to my 23-year-old life.

(via womanhouse)

i’ve been thinking a lot about this frank o’hara poem. especially the relevancy of sharp corners to my 23-year-old life.

Echolilia: A Father’s Photographic Conversation with His Autistic Son. Timothy Archibald uses his camera to find an emotional bridge to his son Photographs and text from the book Echolilia: Sometimes I Wonder

 My eldest son was born in 2001. He was always a kid who went to the beat of his own drummer. When he was 5, we began making photographs collaboratively as a way to find some common ground and attempt to understand each other. Soon after we began the project, Elijah was diagnosed on the autistic spectrum. Though the diagnosis gave me the words and history to understand my son better, it didn’t take away the mystery and the need to try to find an emotional bridge to him.”Echolilia” is an alternate spelling of a more common term, “echolalia,” used in the autistic community to refer to the habit of verbal repetition and copying that is commonly found in autistic kids’ behavior. I liked the idea of it: photography is a form of copying. Kids are a form of repetition. And looking at my kid with photography allowed me to see myself a new

(via sweetishsegment)

6,878 plays

Daft Punk

Instant crush
Random Access Memories

Instant Crush / Daft Punk

(Source: californianoise, via yo-conozco)

I really should have gone to this in 2008.

I really should have gone to this in 2008.

(Source: j-anice)

Architectural Density in Hong Kong

With seven million people, Hong Kong is the 4th most densely populated places in the world. However, plain numbers never tell the full story. In his ‘Architecture of Density’ photo series, German photographer Michael Wolf explores the jaw-dropping urban landscapes of Hong Kong. He rids his photographs of any context, removing any sky or horizon line from the frame and flattening the space until it becomes a relentless abstraction of urban expansion, with no escape for the viewer’s eye. Infinite and haunting.

Editor’s Note: Co-signed.

(Source: ridingwithstrangers, via oldmanfromscene24)

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